Collection VOID
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" The mother noticed that the boy liked the void more than the full. He claimed that voids are larger and sometimes even infinite." (Manoel de Barros) Contrast generates the void. Exactly through existence, nothingness arises, imposing, as a frame for the brutalist, simple and pure form. An ode to absence, this invisible element that corrodes the gaze. The Void Armchair is formed by folded metal plates that draw with light and shades. Hot cutouts on cold surface. Comfort where solitude would be expected. An inhabitable sculpture. Due to these characteristics, the Void Armchair is never a hidden subject. As an armchair or as a work of art, it instigates observation, invites touch and surprises skeptics.
